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In the late seventies I became involved with one of the most original and innovative animation houses in the world - Cosgrove Hall Productions Manchester. Mark Hall phoned me to say that they were working on a TV series about
a Mouse Super Agent and had got bogged down. Mark and his partner Brian
Cosgrove wondered whether I had any thoughts on the matter. When we
sat round the table it seemed to me to be fairly simple. The characters
had got stuck in reality and were doing James Bond type things rooted
in the solid real world. I argued that once you invented a Mouse Secret
Agent then all of creation and a good chunk of not creation was his
oyster. In other words we could be as barmy as we wanted. |
| I am very proud to have worked with Brian and Mark, and I count them now
amongst my closest friends. The people at Cosgrove Hall that I worked with
were the most amazingly creative people, full of fire and love for their
craft and I was doubly privileged to be asked to write the music for both
Dangermouse and it's little baby Duckula and to work on other projects with
Brian and Mark writing the music for The Reluctant Dragon and The Fool Of
The World And the Flying Ship. The latter won several awards including best
animated film at the Chicago Children's Film Festival. They were fun days. |
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