In the late seventies I became involved with one of the most original and innovative animation houses in the world - Cosgrove Hall Productions Manchester.

Mark Hall phoned me to say that they were working on a TV series about a Mouse Super Agent and had got bogged down. Mark and his partner Brian Cosgrove wondered whether I had any thoughts on the matter. When we sat round the table it seemed to me to be fairly simple. The characters had got stuck in reality and were doing James Bond type things rooted in the solid real world. I argued that once you invented a Mouse Secret Agent then all of creation and a good chunk of not creation was his oyster. In other words we could be as barmy as we wanted.

I invented some more characters such as the two Crows (who I originally called Leatherhead and Dorking and gave cockney accents to ), wrote a trial script about bagpipe rustling and called the Evil Toad Greenback after a farmer I knew in the Yorkshire Dales that I didn't like much. I also rough scripted nine or so other ideas and Brian Trueman took the baton and ran with it. The rest is animation history.

I am very proud to have worked with Brian and Mark, and I count them now amongst my closest friends. The people at Cosgrove Hall that I worked with were the most amazingly creative people, full of fire and love for their craft and I was doubly privileged to be asked to write the music for both Dangermouse and it's little baby Duckula and to work on other projects with Brian and Mark writing the music for The Reluctant Dragon and The Fool Of The World And the Flying Ship. The latter won several awards including best animated film at the Chicago Children's Film Festival.

They were fun days.

Links to other Count Duckula and Danger Mouse related sites